{"id":1550,"date":"2025-03-04T20:17:00","date_gmt":"2025-03-04T20:17:00","guid":{"rendered":"https:\/\/nikolashaug.com\/staging\/6128\/?p=1550"},"modified":"2025-07-25T20:25:08","modified_gmt":"2025-07-25T20:25:08","slug":"how-much-world-in-your-world","status":"publish","type":"post","link":"https:\/\/nikolashaug.com\/staging\/6128\/how-much-world-in-your-world\/","title":{"rendered":"How Much World In Your World"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">In several conversations about worldbuilding last month (in SFF stories, or any other kind of fiction) we talked about how many or how few details you need to make a coherent and captivating story. In terms of the \u2018self-editing\u2019 books, and recent revisions in my novel and other short fiction, I\u2019ve decided it\u2019s a lot less than I may have always figured. Several articles and books suggested that it&#8217;s better to leave it to the reader to fill in the gaps, that you should leave some things unexplained on purpose, in order to better immerse them in your world and the minds of your characters. <a href=\"https:\/\/www.superdoomedplanet.com\/blog\/2024\/03\/04\/on-nicholson-bakers-the-mezzanine-and-worldbuilding\/\" target=\"_blank\" rel=\"noreferrer noopener\">This blog post<\/a> about the subject points out this \u2018lacunae\u2019 in the details as a means to making it feel more real:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>Worldbuilders want their worlds to feel real but it\u2019s hard to get that feeling from an exhaustive survey. Lifelike worlds aren\u2019t built from the top down, but from the characters and their surroundings out. They allow for ambiguity, lacunae in our knowledge, the way reality feels no obligation to make sense. Exhaustive worldbuilding aims for worlds logical enough to be mastered, which aren\u2019t worlds at all but clockwork orreries. We can hear the gears click.<\/em><\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">That same blogger&nbsp;<a href=\"https:\/\/www.superdoomedplanet.com\/blog\/2016\/05\/22\/the-clomping-foot-of-orbis-tertius\/\" target=\"_blank\" rel=\"noreferrer noopener\">has another article<\/a>&nbsp;explaining Borges\u2019s story&nbsp;<em>Tlon, Uqbar, Orbis Tertius&nbsp;<\/em>in these terms that I highly recommend checking out if interested.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For me, this is&nbsp;how I\u2019m thinking about my worldbuilding right now: try to expose world details only when the characters\u2019s action demands it, choose only a handful of world details to describe throughout the story in order to sharpen the focus for the reader (leaving the lacunae between those details), and resist the urge to info dump anything that is not immediately relevant to the story. I mentioned the \u2018truths table\u2019 in another letter, and since then I\u2019ve used one to organize my ideas in my manuscript and it feels like it\u2019s working\/helping.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Another trick I\u2019ve dabbled with is something&nbsp;<a href=\"https:\/\/grinningrat.substack.com\/p\/create-unforgettable-worlds\" target=\"_blank\" rel=\"noreferrer noopener\">that another blogger<\/a>&nbsp;calls \u2018Hyperdiagesis\u2019. It\u2019s the idea that you drop names or references to things in your world \u2014 diagetic things that occur\/operate in your world \u2014 but do not explain anything beyond the mention. An example of this might be phrases like&nbsp;<em>The Great Cataclysm<\/em>&nbsp;or&nbsp;<em>nobody returns from the Void Realm<\/em>. They probably need to be evocative, and in themselves stir up some kind of imagination or spark. But the \u2018hyper\u2019 extension of this idea, at least in the realm of TTRPGs, is that it will entice the players to later explore and add depth to those things and in turn&nbsp;their own characters\/experiences.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">One example from my life, I drew a simple regional map for one of our house games that included a water feature between two mountains that I labeled&nbsp;<em>Horsemore Lac<\/em>. That was all I added, no backstory or other details, and no clue what happened there.&nbsp;My wife, a player in our current game, ran with the idea and developed an entire character with a back story and regional history via this simple\/shallow reference (the lake itself is probably much deeper). I think the way it might work in fiction could be that by dropping these references to say \u2018the Void\u2019 or \u2018the cataclysm\u2019 early on, you entice your readers and can later explain it more fully, as in you drop the name in Act 1, then explain it more fully toward the end of Act 2. I think I\u2019ve had some success with this approach, especially in my shorter scribblings.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Another thing worth mentioning here is the exciting arrival of a new book of random tables called&nbsp;<em>The Tome of Worldbuilding<\/em>, from the&nbsp;<a href=\"https:\/\/www.kickstarter.com\/projects\/adventuredesigntome\/tome-of-worldbuilding\" target=\"_blank\" rel=\"noreferrer noopener\">creators at Mythmere Games<\/a><em>.<\/em>&nbsp;I backed the project on Kickstarter and received the PDF this week (printed books are still in the works). But much like their legendary creation,&nbsp;<em>The<\/em>&nbsp;<em>Tome of Adventure Design<\/em>, the designers\/writers have created a true artifact of inspiration.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"467\" height=\"604\" src=\"https:\/\/nikolashaug.com\/staging\/6128\/wp-content\/uploads\/2025\/07\/Screen-Shot-2025-03-03-at-8.08.07-PM.png\" alt=\"\" class=\"wp-image-1563\" style=\"width:319px;height:auto\" srcset=\"https:\/\/nikolashaug.com\/staging\/6128\/wp-content\/uploads\/2025\/07\/Screen-Shot-2025-03-03-at-8.08.07-PM.png 467w, https:\/\/nikolashaug.com\/staging\/6128\/wp-content\/uploads\/2025\/07\/Screen-Shot-2025-03-03-at-8.08.07-PM-232x300.png 232w\" sizes=\"auto, (max-width: 467px) 100vw, 467px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">I\u2019ve only skimmed the introduction, but the new tome has both a systematic plan\/method for designing a fantasy world and a more \u2018\u00e0 la carte\u2019 approach (as they call it) for picking and choosing random elements that might spark your creative mind. I\u2019ve had a lot of success with the original Tome in building fantasy worlds in my RPG games or fictions, and hope the new wourldbuilding edition will only expand on that original concept. The number of tables in itself can be overwhelming, and it\u2019s best to use them in chunks, or within a specific context. I\u2019m excited to apply the book\u2019s new method to my existing fantasy worlds in the coming weeks.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In several conversations about worldbuilding last month (in SFF stories, or any other kind of fiction) we talked about how 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center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1550","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>How Much World In Your World | Nikolas Haug<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nikolashaug.com\/staging\/6128\/how-much-world-in-your-world\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How Much World In Your World | Nikolas Haug\" \/>\n<meta property=\"og:description\" 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